Recently, Ning Hanqing, a member of the Artists Association of Central State Organs, the Chinese Calligraphers Association and the first-class artist of the country, has been interviewed by hundreds of foreign media and broadcasted in corresponding art programs.As a member of the Chinese Artists Association, a national first-class artist, a member of the Association of Artists of Central State Organs, a member of the Association of Chinese Calligraphers and a national first-class artist, Ninghan Qing Calligraphers and Painters are the first batch of artists concerned by hundreds of foreign media and competed to report and publish their works, which has opened a new level of international recognition of Chinese Calligraphic and Painting Art.
Brief Introduction of Qing Art in Ninghan
Ning Hanqing, Ouyang Fengyun, pen name Sun Ning, Buddhist scholar, born in 1958, Luoyang City, Henan Province, is master Zhao Puchu students, graduated from Xi’an Academy of Fine Arts, in Tianjin, Beijing, Wuxi, Chengdu and other famous society painting institutes for more than sixteen years.Now he is a member of the Chinese Artists Association, a member of the Artists Association of the Central State Organs, a member of the Chinese Calligraphers Association, a national first-class artist, a vice-president of the Chinese Academy of International Arts, and a vice-president of the Standing Director of the China International Artists Association. The art of calligraphy has absorbed the spirit and the charm of the simplified style of Wei, Xing, Kai, Cao, Li and Han.Tang Dynasty Zhang Xu and Huai Su’s model of using brushes, together with modern great Mao Zedong’s calligraphy, the essence of Zhao Puchu’s calligraphy art, and contemporary Chen Natural Yang Zaichun and Feng Lin’s artistic styles form a four-body fusion of new and ancient, which makes the single character loyal and spiritual and magnificent and stands tall and noble.The composition of the plaque of poems and lyrics is remarkable for its vigorous writing and grand layout.
Flowers and birds, figures, landscapes, Chinese paintings, with the brush color fresh and elegant, people have a sense of elegance and antiquity.Marble tends to be magnificent. Free and natural, full of melancholy and grandeur, and has a strong potential. It is well received by senior officials at home and abroad, well-known personages and fans of calligraphy and painting. It is widely known as the charm of thousands of clouds and smoke entering the painting.His works have been exhibited many times in West Germany, Finland, Singapore, Japan, Canada, France, the Netherlands, Hong Kong, Macao and Taiwan, and participated in the Fifth, Sixth and Seventh National Calligraphy and Painting Exhibition and the First Tianjin Calligraphy Art Festival sponsored by the Chinese Literary Association and the Tianjin Municipal Literary Association of the Chinese Calligraphic Association.Especially the domestic party and government departments, museums and stele forests have many collections.Especially, Mao Zedong’s poem Qinyuan Chun Xue has more than 40 large-scale calligraphy and paintings of 150 x 860 cm in various administrative organs, barracks, colleges, enterprises and institutions, and the central hall.
Especially at home and abroad, the party, government and army sessions, the opening ceremonies of colleges and universities, enterprises and institutions, and the on-site inscriptions have shown no momentum, which can be called the honor of the famous Chinese painting and calligraphy masters.
Appreciation of Ning Han Qing’s Works
Grand Master, as expected, has made great contributions to China.
A note on Ning Hanqing, a Famous Chinese Painting and Calligraphy Master:
As an outstanding Buddhist cultural scholar, Ning Hanqing is a close disciple of Zhao Puchu, a master of the ancient capital. Ning Hanqing, who was born into a master and graduated from Xi’an Academy of Fine Arts, is a professional calligrapher and painter.Compared with many painters and calligraphers, Ning Hanqing has a unique quality of painting and calligraphy. He integrates his unique cultural achievements and devotes the essence of culture to professional painting and calligraphy creation. On the basis of professional quality, his painting and calligraphy works shine with brilliant cultural light.According to the success of painting and calligraphy, Qingqing of Ninghan Dynasty won the prestige of a famous Chinese master of painting and calligraphy.
Ning-Han-Qing’s calligraphy, at a glance, is highly influenced by Zhao Puchu’s calligraphic attainments. For example, to appreciate one of Zhao Puchu’s “Indifferent”, besides gaining the right-leaning and fat outline of Zhao Puchu’s calligraphy structure, it is more important that Ning-Han-Qing’s calligraphy inherits the inner spirit of Zhao Puchu’s noble monks calligraphy.Painting by painting, silk by silk, all strive to show the spiritual core of Chinese culture.Therefore, “Indifferent” shows Zhao Puchu’s great concern for Ning Hanqing, a disciple.Zhao Puchu was first handed down in Ninghan Qing Dynasty, not only in the form of culture, but also in the reality of culture, so it is true that Ninghan Qing became a master.
Appreciation of Ning Han Qing’s Works
Of course, Ning Hanqing, who inherited Zhao Puchu’s culture completely, is not only a cultural successor, but also an outstanding artistic innovator.It is presumed that Zhao Puchu once taught Ninghan Qingyan and “like me, there is no new way”, so Ninghan Qing’s calligraphy works, on the basis of square structure and plump body, have absorbed the qualities of two kings Shenyi and Tang Kai’s upright style, and with the freedom of Zhang Xu and Huaishu’s handwriting, have also fused the leading temperament of Mao style cursive script, forming the characteristics of blending of new and ancient times and magnificent style of calligraphy.
In particular, it is worth mentioning that Ning Hanqing, on the basis of Zhao Puchu’s original style of writing not tending to be ill, launched his own more rapid style of calligraphy. In the form of adherence to bone strength, folding and brushing used more rapid and lenient force to make his calligraphy more dangerous on the basis of neutralization. Therefore, Ning Hanqing’s calligraphy is full of vigor and uprightness, while Fang Zheng-shi is now vigorous and vigorous. For example, when we look at his other calligraphy work “Hard Work Rewards” with Ning, Han and Qing’s personal style, there is a fresh and meaningful artistic conception that is as fast as thunder and lightning, as fast as throwing a gun, as fast as turning a pen, like flying eagle, master structure, a glance, absolute literary momentum, poetry and calligraphic quality works.
Appreciation of Ning Han Qing’s Works
This kind of calligraphy works, which combines literature and Taoism, has a unique style and style, and is greatly favored in the art investment and collection market.At the same time, the most cultural calligraphy works are mostly collected and hidden by high-end people.The calligraphy works of Ningxia, Ningxia, Han and Qing Dynasty are based on strong cultural feelings. Cultural value is the best supplement of artistic value.Because of the deep cultural gene, Ning Hanqing’s calligraphy works have a thick, steady and strange style, which just sweeps away the light and thin wind, and is a rare high-end form in the art collection market.
Ning Hanqing, a member of the Chinese Artists Association, the Art Association of the Central State Organs, the Chinese Calligraphers Association, a national first-class artist and Vice-President of the Chinese Academy of International Arts, has brilliant achievements in painting as well as in calligraphy.
Ning, Han and Qing’s landscape paintings have won gold medals in both national and international art exhibitions. Their works are well-known at home and abroad, such as Germany, Finland, Singapore, Japan, Canada, France, the Netherlands, Hong Kong, Macao and Taiwan.With great praise and many collectors, it is because the landscape paintings of Ning, Han and Qing dynasties are also masters of texture, with obvious artistic characteristics of “quality”, “power” and “remote”.
Appreciation of Ning Han Qing’s Works
Quality and beauty is based on Ning, Han and Qing’s specialty. For example, viewing the painting “Beautiful Country”, he can use the formula of mountains and waters to delineate the vigorous quality of mountains, render the magnificent feelings of clouds and waters, distant mountains and near rivers, clouds and mists, and draw a picture with vivid lines, appropriate texture, clicking method and changeable ingenuity. From the point of view of professional quality, this mountain and waters is full of exquisite and ancient beauty.
Grandeur is based on Ning Han Qing’s heart and mind. For example, when you look at the picture of “Rising Sun in the East, Rising Source and Stretching Long”, you can see the dangerous mountains, flying water, clouds and mists, tough stones, vigorous but full of vigor. Whether you are painting or viewing them, you can see the small mind of mountains and rivers in front of you, because Ning Hanqing has the mind to tolerate the dangers of mountains and rivers in front of your eyes, it is because Ning Hanqing itself has the mind to tolerate the dangers of thousands of mountains and rivers. Great-minded creation, powerful in the immediate structure, if light weight, easy to do.
Far away is based on the culture of Ning, Han and Qing Dynasties.Only when the profound cultural connotation of the artistic conception of Chinese landscape is constructed can the fine works be retained. To construct cultural connotation, artists should be cultural masters. Ning-Han-Qing culture has a deep foundation, so his landscape paintings, like Wang Wei’s landscape paintings, have a fresh and far-reaching cultural temperament, the essence of literati painting, Ning-Han-Qing through the “everlasting and lasting” this very Zen landscape masterpiece fully reflected. Because of its profound cultural artistic conception, watching this work is very close to the hearts of the people. The artistic conception is just the return of the soul. It is absolutely devoted at first sight. This is the spiritual attraction of Ning-Han Qing literati painting.
Appreciation of Ning Han Qing’s Works
Painters are willing to paint peony, Ninghan Green Peony is the most favorite.Appreciating the peony pictures of Ning, Han and Qing Dynasties is the masterpiece of the most new style. For example, “Rich and Lucky” Peony Picture, the artist in the same picture painted different florescence of peony, late flowers are old but not withered, the mid-term flowers are brilliant but not surging, but also to draw a lot of buds, the picture is more vibrant. In the same frame, the artistic conception of Ning, Han and Qing Dynasty is unique and rich in artistic conception by means of peony of different florescence. Looking at its peony and thinking about life, Ning Han Qing’s peony map is not only a beautiful picture, but also a philosophical thought, which makes people memorize endlessly. This is the master’s level of construction, his brush not only freehand nature, but also freehand life.
Appreciation of Ning Han Qing’s Works
Another “Flowers Blossom Richly” uses the “close-range talk” approach, peony flowers close to the eye, very ornamental tension, during the tour, it seems to have been in one of them, incarnated as a peony.This kind of close-range artistic approach is unique in Peony theme painting, and is the most creative and divine means. This means is based on the understanding of culture, vision, psychology and modelling mechanism of Ning, Han and Qing dynasties, which is a masterpiece of peony composition. You don’t have to go to the Peony Garden when you have seen the peony pictures of Ning, Han and Qing dynasties. The great master is that in the process of artistic creation, you can turn all your skills to the end of the pen and use every splash of ink to get the magic power of peony.
As a matter of fact, the great masters of Ninghan Qing painting and calligraphy are rooted in the cultural soil. In fact, the greater prestige of Ninghan Qing should be cultural masters!
Shi Feng, Famous Calligraphy and Painting Critic, Art Director of Huayi Media, August 22, 2017
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