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Russian Artisan Daria: Stitching a New Silk Road with the “Shattered Porcelain Philosophy” of Huli’s Intangible Heritage

In Huli,

even the most ordinary corners

conceal fragments of rich cultural “fragments.”

As we reach down to pick them up,

a captivating world of intangible heritage unfolds before us.

Today,

let’s follow

Daria of Russia

and step into that wonderful world of Huli’s intangible cultural heritage.

The “Foreigners in Huli” series

rolls on with its third episode.

From a foreign visitor marveling at puppet theater’s backstage magic,

to an international friend tracing the etched beauty of Stone-Shadow Carving,

and now to an apprentice immersed in Cut Porcelain Carving,

With Cut Porcelain Carving as her needle

and China-Russia culture as her thread,

Russian girl Daria is patiently embroidering a “brand-new Silk Road ”heritage tapestry across the Huli District.

Wandering any Huli street,

and glancing upward by chance,

you may spot a marvel perched on a temple roof,

an extraordinary heritage craft,

Cut Porcelain Carving.

Guided by a “waste-nothing” philosophy,

local artisans salvage chipped, discarded china, recut and mosaic the pieces,

and elevate them into rooftop artistic treasures.

Those vibrant dragons, phoenixes, flowers, and birds,

breathtakingly lifelike,

seem to whisper ancient stories into the wind.

Daria,

this Russian girl with an endless fascination for Eastern culture,

has evolved from a fresh-faced exchange student in Xiamen

into a full-fledged “cultural ambassador” now settled in Huli.

Living here,

she’s often seen weaving through its lively streets and quiet alleys,

soaking up the district’s unique cultural energy.

And whenever she walks past temples and ancestral halls,

those dazzling rooftop patterns always stop her in her tracks.

Curious and eager to learn more about this heritage craft,

she eventually found herself

at the studio of Chen Kaida, a recognized inheritor of Cut Porcelain Carving,

starting her journey into a marvelous world of traditional craftsmanship.

In the studio,

porcelain bowls shatter under hammer blows into piles of unremarkable fragments.

Yet in Chen’s hands,

these broken bits seem to be reborn

as treasure:

Phoenix feathers

and dragon scales shimmer

as these pieces find their “second act.”

Daria was amazed.

“This traditional craft is incredible!” she said,

barely able to contain her excitement

to try her hand at the art.

But

that’s when reality bites.

Between breaking and rebuilding,

ancient techniques and new beauty,

behind this “philosophy of shattered porcelain” lies

a surprisingly complex and delicate process.

As Daria learns by doing,

she feels the full weight of the challenge

and couldn’t hold back a sigh:

“It’s way harder than a jigsaw puzzle!”

As the Xiamen Special Economic Zone continues to flourish,

Cut Porcelain Carving adorns not only Huli’s temples and ancestral halls,

to become a distinctive “texture” in Huli’s cultural fabric,

but also enters campuses and marketplaces

through its new identity as creative cultural products.

Chen Kaida emphasizes that

introducing more people to Cut Porcelain Carving

is both a responsibility and mission for heritage bearers.

From his account,

Daria feels just how tough the road of heritage preservation can be.

Yet,

she’s thrilled that this age-old skill

is shining brighter than ever in the new era.

Daria said: “Six years ago, I came to China drawn by my fascination with Eastern culture. Since settling in Huli, my favorite pastime is simply roaming the streets and alleys. In the corners that locals might walk past without a second thought, I keep finding beautiful pieces of art I’ve never seen before.”

Up next in “Foreigners in Huli,”

we’ll meet someone new.

Which part of Huli

will he/she show to us?

Stay tuned!

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